Meaning in Film: Relevant Structures in Soundtrack and Narrative by Dominique Na

Description: Meaning in Film by Dominique Nasta Understanding how meaning mechanisms are unleashed in film has been at the center of numerous theoretical surveys of the last few years. Emphasis has especially fallen on seeing as a constructive, meaningful activity and on the diegetic implications of vision.This book is an attempt to extend film theorizing into a new realm, where hearing proves as important as seeing and where the relevance of filmic narrative is differently explored. New paths for future research are suggested by means of associations with the works of linguists or philosophers who have never addressed film theory directly in their writings. Nonetheless, several concepts posited by them (relevance, natural versus non-natural meaning or the notion of Mental spaces) find their application in the present survey.A wide range of examples starting with point-of-view and editing occurrences, passing through the use of music and sound and culminating with the study of whole filmic ensembles, enables the reader to re-examine code-bound or, on the contrary, deviational structures.These are often drawn from familiar sources, proving that not only art films of the Eisenstein or Godard type enhance innovative meaning spaces.Finally, the viewer is seen as a pragmatic protagonist, an active not passive receiver of textual structures who relies on patterns of known visual or aural backgrounds open to an unlimited field of perspectives. FORMAT Paperback LANGUAGE English CONDITION Brand New Author Biography The Author: Dominique Nasta received her Ph.D. from the Universite Libre de Bruxelles (Belgium), where she currently teaches Film Aesthetics. She has published articles on Andrey Tarkovsky, Wim Wenders and Woody Allen. Table of Contents Contents: Perspectives on Meaning in Film - Music and Sound: The Code and its Transgression - The Filmic Narrative: Interpreting the Whole. Review It [the book] offers new ways to listen to film sound tracks and focus on filmic narrative and it will be a welcome complement to other studies of film music and film theory. Nastas use of film examples is outstanding. Not only does she make use of canonical films analyzed in film studies courses, she includes many European films that also deserve attention. She provides a brilliantly straightforward explanation of the problems of structuralist-semiotics and pragmatic-enunciation approaches. (Melissa Ursula Dawn Goldsmith, The Journal of Film Music) Ausserordentlich interessanter Versuch, das Verstehen von Filmen als Konstruktion von Bedeutungsbeziehungen zu modellieren. (montage/av) ...in dem staendigen Bezug auf konkrete Beispiele oliegt! eine Staerke des Buches. Insbesondere gelingt es der Verfasserin, so manche vermeintliche kuenstlerische Neuerung spaeterer Zeit schon in relative fruehen und scheinbar konventionellen Werken der Filmkunst aufzuspueren. oEin! an guten Beobachtungen und foerderlichen Ideen reiches Buch. (Michael von Albrecht, International Journal of Musicology) Details ISBN3261044829 Author Dominique Nasta Pages 180 ISBN-10 3261044829 ISBN-13 9783261044822 Format Paperback Short Title MEANING IN FILM Series Australisch-Neuseelandische Studien Zur Deutschen Sprache Un Language English Media Book Year 1992 Publication Date 1992-01-01 Subtitle Relevant Structures in Soundtrack and Narrative DOI 10.1604/9783261044822 Imprint Peter Lang AG Country of Publication Switzerland Publisher Peter Lang AG DEWEY 791.4301 Audience General We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:139374343;

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